Irony is a statement, situation,
or action that actually means the opposite of its surface meaning. In a broad
sense, irony is the recognition of the incongruity or difference between
reality (what is) and appearance (what seems to be). In other words, it is said
that irony is a literary device or figure of speech in which the intended
meaning is opposite to the literal meaning. The main purpose of irony is to add
depth, humor, or a dramatic twist to language, stories, or real-life
situations.
There are several kinds of irony,
though they are turned into two main categories: situational and verbal.
situational irony refers to the contrast between what is intended or expected
and what occurs. Here, the contexts may be primarily social, moral, or
metaphysical, and here, irony can be further classified as comic or tragic. In
tragic irony, the ostensible reasons for the hero’s downfall, whether it is the
anger of the gods or his own relentless pursuit of an ideal, are undercut by
psychological reasons of a more mundane sort. Here, Joseph Conrad’s Lord
Jim provides a good example of this. Comic irony uses similar kinds of
juxtaposition to describe and deflate the social aspirations of its
protagonists. Situational irony occurs when, for instance, a man is laughing
uproariously at the misfortune of another even while the same misfortune,
unbeknownst, is happening to him. One form of situational irony is called
dramatic irony.
In dramatic irony, we see that the audience understands
the implication and meaning of a situation on stage, or what is being said, but
the characters do not. It is common in tragedy and comedy. For example, in Sophocles’
Oedipus Rex, we see that Oedipus does not realize his crime. Sir Peter Teazle (in School for Scandal) does
not know his wife is behind the screen when he is talking about her to Joseph
Surface.
Verbal irony is a figure of
speech in which there is a contrast between what is said and what is actually
meant. For example, when in Julius Caesar, Antony repeatedly insists
that “Brutus is an honorable man,” he is being ironic. The ability to recognize
such irony depends upon an appreciation of the particular linguistic, or
sometimes more general social or moral, context. in speech, it is possible to
indicate by tone of voice that the word ‘clever’ in the sentence ‘He is a
clever chap’ is to be understood to mean ‘stupid’, but as this cannot be said
to be any of the meanings of the word ‘clever’, the writer has to convey his
sense obliquely. Irony is thus an art of juxtaposition and indirection, relying
for its success on such techniques as understatement, paradox, puns, and other
forms of wit in the expression of incongruities.
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