Christina Rossetti (1830–1894):
Christina Georgina Rossetti was one of the most important Victorian poets of England. She was born on December 5, 1830, in London into a highly literary family. Her father was the poet Gabriele, and her brothers, Dante Gabriel Rossetti and William Michael Rossetti, were founding members of the Pre-Raphaelite Brotherhood. This artistic movement emphasized emotional sincerity, medieval symbolism, and intense imagery.
Rossetti’s first poems were
written in 1842 and printed in her grandfather’s private press. Although
Christina was closely associated with the Pre-Raphaelites, her poetry is more inward,
spiritual, and lyrical than pictorial. She lived a quiet life, marked by
religious devotion, ill health, and emotional restraint. These experiences
deeply influenced her poetry. She is best known for her ballads and her mystic,
religious lyrics, and her poetry is marked by symbolism and intense feelings.
Rossetti's best-known work,
Goblin Market and Other Poems, was published in 1862. The collection
established Rossetti as a significant voice in Victorian poetry. The Prince's
Progress and Other Poems appeared in 1866, followed by Sing-Song (George Routledge
and Sons), a collection of verse for children, in 1872 (with illustrations by
Arthur Hughes). By the 1880s, recurrent bouts of Graves' disease ended
Rossetti's attempts to work as a governess. While the illness restricted her
social life, she continued to write poems, compiled in later works such as A
Pageant and Other Poems. Rossetti also wrote religious prose works, such as
Seek and Find: A Double Series of Short Studies of the Benedicite (Society for
Promoting Christian Knowledge and Pott, Young, & Co., 1879); Called To Be
Saints (Society for Promoting Christian Knowledge and E. & J. R. Young
& Co., 1881) and The Face of the Deep: A Devotional Commentary (Society for
Promoting Christian Knowledge and E. & J. R. Young & Co., 1892).
In 1891, Rossetti developed
cancer, and she died in London on December 29, 1894. William Michael edited her
collected works in 1904, but her three-volume Complete Poems was published by
Louisiana State University Press between 1979 and 1990.
Major
Themes in Rossetti’s Poetry
- Love and loss
- Death and the afterlife
- Renunciation and restraint
- Faith, doubt, and spiritual longing
- The pain of unfulfilled human desire
The
Poem “Echo”: Overview
Christina Rossetti’s “Echo” is a lyric
poem expressing an intense longing for a lost or absent beloved,
possibly dead or separated by an unbridgeable distance. The speaker yearns for
even a shadow, dream, or echo of the loved one’s presence.
The poem blends romantic desire
with spiritual yearning, making it both emotionally powerful and symbolically
rich.
Echo
(Text)
Come to me in the silence of the
night;
Come in the speaking silence of a
dream;
Come with soft rounded cheeks and
eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished
years.
Oh dream how sweet, too sweet,
too bitter sweet,
Whose wakening should have been
in Paradise,
Where souls brimfull of love
abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets
out no more.
Yet come to me in dreams, that I
may live
My very life again tho' cold in
death:
Come back to me in dreams, that I
may give
Pulse for pulse, breath for
breath:
Speak low, lean low,
As long ago, my love, how long
ago.
Form
and Structure
·
Stanza form: Sextilla
(each stanza has six lines)
·
Total stanzas: Three
·
Rhyme scheme: Regular
and musical, contributing to a soft, echo-like sound
·
Meter: Smooth
and lyrical, enhancing the dreamlike atmosphere
The six-line structure helps
create balance and repetition, reinforcing the idea of an echo—something heard
faintly, indirectly, and briefly.
Summary
of the Poem
The speaker of Christina
Rossetti’s “Echo” begs their departed lover to visit them in dreams, in silence
and through memories and whispers, where they can see their lover’s face again
and relive all their past happiness. In the first stanza, the speaker wishes to
hear the beloved’s voice again, even if it comes only in sleep.
In the second stanza, the longing
becomes deeper and more painful. The speaker asks for physical presence and a
moment of renewed love. But while dreaming about this person gives the speaker
much-needed relief from the pain of loss, their insistence on living in dreams
and memories causes them to feel like an “Echo”- as if they don’t really exist
in the present at all. The poem ends with a powerful emotional contrast—joy is
imagined as a possible reunion, while life without love is compared to death.
Rossetti wrote “ Echo” in 1854
and published it in her first poetry collection, A Goblin Market and Other
Poems ( 1862).
“The speaker of "Echo"
is someone whose beloved died, seemingly "long ago." Yet despite the
time that's passed, the speaker hasn’t let go of this person and moved on with
their life. Instead, they look forward to sleep each night, when they get the
chance to see this person and re-experience the love and happiness they felt
with them.
The poem doesn't reveal any
personal information about the speaker, such as their age, gender, race,
location, etc. That the speaker could be anyone, at any point in their life,
makes the poem all the more relatable. The speaker's yearning to wake up in "Paradise,"
though, does suggest that they're religious; Rossetti herself was a devout
Anglo-Catholic.
The poem doesn't have a physical
setting; it takes place entirely in the speaker's thoughts. The speaker is
anticipating the arrival of "night," when their departed loved one
will return to them in the "silence" of dreams.
The lack of a clear setting helps
create the poem's dreamlike atmosphere. It's as if the speaker no longer fully
exists in the present, because they're too caught up in happy memories and
fantasies. Indeed, the only place the poem describes is heaven: the
"Paradise" where lost souls meet, and where the speaker hopes to find
their lover after death. Otherwise, the speaker dwells in the "memory, hope,
love of finished years."
These details reinforce the idea
that the speaker has become an"Echo" of their former self. If their
memories are the only place worth living, then it’s their real life that has
become a sort of terrible dream.
Themes
of the Poem
1. Longing and
Absence
The central theme is longing for
someone who is no longer reachable. The beloved may be dead, emotionally
distant, or spiritually separated.
2. Love Beyond
Death
The poem suggests that love does
not end with physical separation. The speaker seeks connection through dreams,
memories, and echoes.
3. Dream vs
Reality
Dreams provide temporary relief
from loss, but waking life remains empty. This contrast heightens the emotional
intensity.
4. Life,
Death, and Emotional Survival
Without love, life feels like
death. Even the smallest return of love makes suffering bearable.
"Echo" illustrates how
memories of past love reverberate into the present. The speaker, mourning the
loss of a beloved, wishes they could be permanently reunited with this person
in the afterlife; until then , they have to make do with dreams and memories of
the time they spent together. These metaphorical "echoes" aren't as
vivid as the real thing, which happened "long ago," yet the speaker
clings to them anyway. Loss, it seems, has made the speaker's memories feel like
the only place worth living. And yet, in living in the past, the pome implies
that the speaker sacrifices their joy and vitality in the present.
The speaker feels as if the best
days of their life are over; all they want is to be reunited with a deceased
lover who once made them happy. They dream of their beloved waiting for them in
"Paradise," watching "the slow door" where people enter and
never leave again. They imply that they long to be on the other side of that
door, "Where souls brimful of love abide and meet." That is, they're
ready to leave behind their mortal form so their spirit can join their lover's.
The speaker's desire to take
refuge in "Echo[es]" of the past-dreams and memories of old
love-suggests that their loss makes the present hard to bear. Indeed, the
speaker describes themselves as"cold in death," even though it's
their beloved who has died. Without the happiness their beloved brought them,
life feels devoid of warmth, beauty, and meaning. The speaker lives only for
those brief moments in sleep when they can dream of their lover's "soft
rounded cheeks and eyes."
For this speaker, it's easier to
cling to memories than move on. But this nostalgia leaves them feeling like an “Echo”-
a faint of who they once were. Only when the deceased returns in dreams can the
speaker "give / Pulse for pulse, breath for breath." In other words,
the speaker isn't really living their life anymore. When awake, they feel their
vitality has diminished. Like an echo that only repeats a sound from the past,
they simply replay the same memories over and over, growing weaker and fainter
with time.
Dreams
as a Respite from Grief
"Echo" portrays certain
dreams as a temporary respite from grief. The speaker pleads with their
deceased lover to visit them in dreams at night. These dreams are "bitter
sweet," however: they reunite the speaker with their lover, yet they're
ultimately an illusion-and each time the speaker wakes, they experience the
pain of parting all over again. Still, the poem implied, these dreams are
better than nothing, since they let the speaker temporarily forget their loss
and relive the happiest moments of their life. They momentarily soothe the
ongoing pain of bereavement.
While the relief dreams provide
can't last, the speaker's intense longing for them shows the value of even
these fleeting moments of respite. The speaker describes their dreams of the
beloved as "sweet," then "too sweet," then "too bitter
sweet," suggesting that the joy of the dreams inevitably gives way to
reality. Still, these moments are what the speaker looks forward to throughout
the day; even a temporary reprieve from pain is better than none.
In dreams, the speaker can feel
the "memory, hope, [and] love" of years gone by, which "Come
back" in the form of "tears." These tears (shed by the speaker
and/or beloved) signify both joy and sorrow: joy because the couple is
temporarily reunited, sorrow because the dream must end. When their loved one
arrives in dreams, the speaker is able to "live / [their] very life
again." For as long as the dream lasts, the worst hasn't yet come to pass,
and the speaker gets to feel the way they felt when they were young and in
love. Of course, each dream ends with the speaker once again losing their love-waking
to the knowledge that their love is in "Paradise," while they're
still here on earth.
So the cycle continues, with one
night "Echo[ing]" the next. The speaker looks eagerly forward to
sleep, when they can connect with their missing loved one. They beg the beloved
to appear "in the silence of the night" and "in the speaking
silence of a dream." Only once the world is quiet and the demands of the
day have been setaside can the speaker find solace for their grief. That the "speak[s]"
suggests that their dreams are a kind of communion with the dead, a chance to
exchange words they can never again speak in waking life.
Imagery
and Symbolism
- Echo: the
mood of the poem “echo” is one of a deep longing. The speaker is also
melancholic as she desires to remain in the past.
- Dreams: A
bridge between the living and the lost
- Silence and voice: Suggest
absence and yearning
- Light and darkness: Reflect
hope versus despair
Rossetti uses soft, musical imagery
rather than dramatic language, making the sorrow quiet but profound.
Tone
and Mood
- Tone: Melancholic,
pleading, tender
- Mood: Dreamlike,
sorrowful, emotionally restrained
The speaker never protests
loudly; instead, she expresses grief with gentle intensity, a hallmark of
Rossetti’s style.
Style
and Language
- Simple yet emotionally rich diction
- Musical rhythm and repetition
- Controlled expression of deep feeling
- Use of commands (“Come to me…”) showing desperate
yearning
Rossetti’s restraint makes the
emotion more powerful.
Critical
Appreciation
“Echo” is admired for:
- Its perfect union of form and feeling
- Emotional depth without exaggeration
- Spiritual and psychological complexity
- Universal appeal of love and loss
The poem reflects Victorian
sensibility, especially the idea that true emotion must be controlled,
internalized, and purified through suffering.
Conclusion
Christina Rossetti’s “Echo”
is a deeply moving lyric poem that captures the pain of separation and the
enduring power of love. Through its sextilla form, musical language, and
symbolic imagery, the poem presents longing as both a human and spiritual
experience. It stands as one of Rossetti’s finest expressions of love
remembered, love desired, and love almost lost.
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